This constitutes a New York drama so laidback that it required a decade to arrive on the UK’s cinema screens. First released in the US in 2015, it’s an ultra-low-budget debut from debut filmmaker Charles Poekel, set almost entirely on a 24-hour pop-up Christmas tree stall. Poekel’s style is far too authentic-indie and unaffected to get slushy or sentimental about Christmas; through his lens Christmas tree lights flash like police lights. But in its own low-key way, he positions the movie perfectly for a little squeeze of festive warmth.
Kentucker Audley portrays Noel (it took someone in the film to comment on his name before I twigged). Noel is back for his fifth year peddling Christmas trees in Brooklyn, standing outside in the freezing cold and resting in a not-much-warmer caravan stationed beside the trees. A few customers inquire after the girl working with him last year. But this year Noel works solo, broken-hearted and working the night shift.
There’s an observational quality to many of the scenes, with customers posing pointless random questions. A customer wants the same Christmas tree as the Obamas (this is 2014). Noel looks frozen to the bone physically and emotionally; he’s weary and disillusioned, though Audley’s subtle performance clearly indicates that he hadn't always been like this.
In truth, the plot is minimal. Noel comes to the aid of a woman, Lydia (Hannah Gross), who has passed out drunk on a bench. She pops up again later in truly poignant scenes as Noel travels through New York, delivering trees – and these moments could ignite a little flicker of good cheer in the grinchiest of hearts. Poekel has not directed a feature since this, which is regrettable – it is unmatched for authenticity and fluidity, and it’s shot on gorgeously textured 16mm film.
A film of understated charm and real mood, portraying the solitude and brief connection of the holidays.
Christmas, Again opens in UK cinemas from 12 December.
A passionate eSports journalist and former competitive gamer, dedicated to uncovering the stories behind the screens.
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Jordan Miller
Jordan Miller
Jordan Miller
Jordan Miller
Jordan Miller