Over the spanning nearly four centuries, the Atlantic slave trafficking system resulted in 12.5 million Africans trafficked from their continent to the Americas. A staggering 1.8 million of those souls perished during the Middle Passage, enduring unfathomable conditions of extreme confinement, squalor, and illness. Many took their own lives by throwing themselves overboard, whereas others were forcibly cast into the sea.
In The Zorg, author Siddharth Kara weaves together two interconnected narratives. The first chronicles a harrowing incident aboard the eponymous slave ship—the systematic drowning of 132 captive individuals by its British crew. The second story explores how this event played a pivotal role in the ending of the Atlantic slave trade in 1807, thanks largely by the relentless efforts of a coalition of abolitionist activists. Among them was Olaudah Equiano, who authored one of the rare first-person accounts of the Middle Passage, describing it as “a scene of horror almost inconceivable”.
The tale originates in Liverpool, a port city that at the height of its prosperity was responsible for 40% of Europe's slave trafficking. Financing slavery was a highly profitable venture for everyone from the wealthy but also the common people. One such entrepreneur, William Gregson, saved up his earnings from his trade, ploughed them into the slave trade, and rose to become a prominent citizen and even mayor. Gregson financed the slave ship The William, which departed from Liverpool for West Africa in October 1780 under Captain Richard Hanley. Its cargo was loaded with commodities like tobacco, firearms, knives, and various “India goods” such as chintz and cowrie shells—the shells being a standard rate in the acquisition of enslaved people.
Around the same time, a Dutch slave vessel named the Zorg (later referred to by the British as the Zong) had left the Netherlands. With Britain at war with the Dutch in late 1780, the Royal Navy granted British ships authority to capture Dutch ships at sea—a virtual sanctioning of privateering. The Zorg was subsequently taken by a British captain and held off the Gold Coast. Meanwhile, Captain Hanley, on a slaving expedition, picked up a fleeing British governor named Robert Stubbs, who had been expelled for graft.
When Hanley reached Cape Coast Castle—a fortress with a vast holding cell beneath it—he took command of the captured Zorg. He proceeded to grossly overload it with enslaved people, placed a dozen of his own crew on board, and made Luke Collingwood, a ship's surgeon of dubious seamanship, its captain. In August 1781, the Zorg finally left Accra carrying 442 enslaved Africans, 17 crew members, and one notorious passenger: the former governor, Robert Stubbs.
Kara is particularly skilled at using contemporaneous sources to bring to life the general hell of being trafficked on a slave ship.
The Zorg's journey was plagued with disaster. Dysentery ravaged the vessel, and then scurvy. The captain fell ill, became delirious, and appointed Stubbs. Thus, “a ship full of decay and death was being commanded by a passenger.” Kara effectively employs eyewitness accounts to illustrate of the unmitigated terror. The powerful testimony of Alexander Falconbridge, a doctor who became an activist, details how the enslaved people's skin was often rubbed raw to the bone from lying on bare wood, their flesh pinched and torn between the planks.
By late November 1781, the Zorg was miles from Jamaica and critically short on water. The crew resolved to throw overboard a number of the enslaved Africans, who had already suffered through months of obscene conditions below deck. This monstrous act was not motivated by ensuring survival—the Africans had pleaded to be allowed to live, even without water rations—but by pure economic greed. Maritime insurance policies did not cover losses from natural causes, but they would pay for cargo jettisoned out of “necessity” for the ship's safety. Over several days, the crew murdered “those Africans who would be worth less at auction”—the infirm, the sick, including women and children, even a baby born during the voyage.
Back in Liverpool, investor William Gregson was unhappy about the profit on his venture. He filed an insurance claim for £30 per drowned captive—a substantial sum in today's money. The insurers refused to pay. In March 1783, Gregson sued and won a trial by jury, with his lawyers arguing that throwing the enslaved people overboard had been “necessary.”
According to Kara, “there is a direct line of causality between the public exposure of the Zorg murders and the first movement to abolish slavery in England.” Just twelve days after the trial, an published essay appeared in a widely read English newspaper. The author, who claimed to have been present the court proceedings, made a powerful case against slavery, citing the Zorg case as a key illustration of its brutality. Olaudah Equiano read the letter and took it to the abolitionist Granville Sharp, who filed a motion for a new trial. At the subsequent hearing, the events on the Zorg were examined in meticulous detail, exactly what the abolitionists had wanted.
In the spring of 1787, the initial group of the Society for Effecting the Abolition of the Slave Trade convened. Over the following years, they petitioned, made speeches, lobbied tirelessly, and gathered evidence on the realities of the slave trade. “Their efforts,” Kara writes, “would lay a blueprint for the pursuit of social justice.” After years of struggles, the Act for the Abolition of the Slave Trade was enacted in 1807.
The debate over who or what deserves credit for abolition is a matter of debate. The Zorg's influence, however, is powerfully captured by J.M.W. Turner's famous painting, The Slave Ship, which was inspired by the events of 1781. While slavery has been near-universal in human history, its abolition following a prolonged mass campaign was unprecedented, serving as an testament to the power of persistent activism, the pen, and relentless determination.
Unlike his previous books—such as the acclaimed Cobalt Red—Kara has had to address certain gaps in the historical record. At times, speculative passages contrast with rigorously researched accounts, giving the book a somewhat hybrid feel. Part thriller and part serious nonfiction, The Zorg nevertheless succeeds in illuminating one of history's darkest chapters, using compelling prose and documented fact to assemble a account that stays with the reader long after the final page.
A passionate eSports journalist and former competitive gamer, dedicated to uncovering the stories behind the screens.